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      <image:caption>Reindigenizing the Self (installation view), 2017 Volume Gallery, Chicago November 3 - December 31, 2017</image:caption>
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      <image:caption>DBA, Big Pictures Los Angeles October 15 - November 23, 2017</image:caption>
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      <image:title>Exhibitions</image:title>
      <image:caption>Tanya Aguiñiga On Going Home, curated by Debra Scacco Charlie James Gallery September 2 - October 14, 2017</image:caption>
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      <image:caption>By the River, installation view</image:caption>
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      <image:title>Exhibitions</image:title>
      <image:caption>Group exhibition of contemporary designers from Los Angeles, curated by Sight Unseen. The show, entitled Site Specific: L.A., will be on view from December 5, 2015 – February 14, 2016.</image:caption>
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      <image:caption>installation view, Bananas, Gallery Diet, Miami, June 19 - September 5, 2015</image:caption>
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      <image:title>Exhibitions</image:title>
      <image:caption>Image courtesy of Volume Gallery, Chicago, IL</image:caption>
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      <image:caption>Tierra (detail), 2014 nylon, soil, leather, thread, vinyl Image courtesy of Volume Gallery, Chicago, IL</image:caption>
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      <image:title>Exhibitions</image:title>
      <image:caption>Image courtesy of Volume Gallery, Chicago, IL</image:caption>
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      <image:title>Exhibitions - Driftless Zone</image:title>
      <image:caption>Volume Gallery, Chicago, IL, 2013</image:caption>
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      <image:title>Exhibitions - Crossing the Line</image:title>
      <image:caption>Craft and Folk Art Museum, Los Angeles, CA, 2011</image:caption>
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      <image:title>Exhibitions - Furniture City</image:title>
      <image:caption>Goodwill Design Gallery, Grand Rapids, MI, 2009</image:caption>
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      <image:title>Exhibitions - Wrapped Welded Woven</image:title>
      <image:caption>Reform Gallery, Los Angeles, CA, 2008</image:caption>
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      <image:title>Exhibitions</image:title>
      <image:caption>Solo Exhibition, Loomis Gallery, Mansfield University, September 28 - October 23, 2015</image:caption>
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      <image:caption>3 Women (July 23 - September 17, 2016) installation view (Tanya Aguiniga's Teetering of the Marginal) Joshua White/JW Pictures, courtesy of the Landing, Los Angeles</image:caption>
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      <image:title>Exhibitions</image:title>
      <image:caption>Photographs by Gina Clyne, as well as the US/Mexico border wall intervention videos for AMBOS Project.</image:caption>
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      <image:caption>Este es mi Hogar | This is My Home (Tijuana | San Deigo), 2019 Photograph by Gina Clyne for AMBOS Project</image:caption>
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      <image:caption>Untitled, 2020 Natural and bleached cotton, lurex and metallic silver leather 46 x 72 in</image:caption>
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      <image:title>Exhibitions - Vestigial 1</image:title>
      <image:caption>Cotton rope, sisal, self-drying terra-cotta clay, gold leaf, 80h x 30w x 7d in</image:caption>
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      <image:caption>Making Time, installation view, 2021</image:caption>
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      <image:title>Exhibitions</image:title>
      <image:caption>Vestigial 2, 2019 Cotton rope, sisal, self-drying terra cotta clay, mylar, and gold leaf. 7” L x 34” W x 80” H 17.8cm L x 86.4cm W x 203.2cm H</image:caption>
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      <image:title>Exhibitions - Morphing: Design in Contemporary Crafts</image:title>
      <image:caption>JF Chen, Los Angeles, CA, 2012</image:caption>
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      <image:caption>Matriarchal Womb, 2022 Self-drying terracotta clay, cotton rope, mohair wool, synthetic hair, cane 64h X 56w X 12d in</image:caption>
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      <image:title>Exhibitions - Quipu, 2016-2018</image:title>
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      <image:caption>Hotel California for ICFF, Standard Hotel, NY, 2012</image:caption>
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      <image:title>Exhibitions</image:title>
      <image:caption>Foursite: 4 Materials San Francisco Museum of Craft and Design, San Francisco, CA, 2010</image:caption>
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      <image:title>Exhibitions - CRAFTA, Craft in the post-NAFTA Era</image:title>
      <image:caption>PEEL Gallery, Houston, TX, 2012</image:caption>
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      <image:title>Exhibitions - Salon #9</image:title>
      <image:caption>Marine Contemporary, Los Angeles, CA, 2012</image:caption>
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      <image:title>Exhibitions - Lineas: New Modes of Contemporary Urbanism</image:title>
      <image:caption>MACLA/Movimiento de Arte y Cultura Latino Americana, San Jose, CA, 2010</image:caption>
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      <image:title>Public + Performance</image:title>
      <image:caption>"Performance Crafting: Felt Me" is about the artist as object and expanding her process to include more community based work in a very personal way that is still related to her own work. The performance was based on the techniques that Tanya is best known for (felting) and applying it to the artist's own body to experience what her pieces go though. It was also a means to connect the people that support her work with hand-worked processes while forming a deeper connection with Tanya. The group formed a deeper bond through Tanya having to trust them to make a work that represents her very literally, and through sharing a very intimate experience.</image:caption>
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      <image:title>Public + Performance</image:title>
      <image:caption>Based on backstrap weaving techniques Tanya learned in Chiapas, Mexico, she affixed herself to an object, which acted as a counterbalance as she pulled the shuttle across the loom on a street in America's wealthiest -- and most recognizable -- zip codes, along side open-mouthed tourists, and nearly empty luxury shops, becoming an instigator. Performance Crafting creates an experience that challenges the expectations of the passive or "safe" nature of crafting. Performance Crafting isn't just about the finished product, it's about the process, which explores identity, means of production, and our relationship to our environments.</image:caption>
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      <image:title>Public + Performance - Border Art Workshop/Taler de Arte Fronterizo (BAW/TAF)</image:title>
      <image:caption>Maclovio Rojas is an autonomous land squat on the outskirts of Tijuana, Mexico run by women and made out of trash from the US. Tanya co-built and ran the community center for 6 years as part of The Border Art Workshop/Taler de Arte Fronterizo BAW/TAF. The community partnership brought attention to injustices the community faced through arts-only initiatives. At the community center Tanya taught art classes to children and adults, managed large-scale construction projects, was the liaison between BAW/TAF and the community as well as managed funds from multiple grants and secured donations to maintain the community center, build a sculpting school and a cemetery. This experience cemented her desire to use art as vehicle for community empowerment, to work collaboratively and to dedicate herself to arts education alongside her personal work, allowing for intersection when possible.</image:caption>
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      <image:caption>Image by Gina Clyne. Courtesy of AMBOS Project.</image:caption>
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      <image:caption>2014, Center For Craft, Creativity and Design, Asheville</image:caption>
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  </url>
  <url>
    <loc>http://www.tanyaaguiniga.com/commissions-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-07-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5500e22be4b0890b5cec8463/1510183557825-NRQBPFONBD9J7ITF9C1G/1-install.jpg</image:loc>
      <image:title>Commissions</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5500e22be4b0890b5cec8463/1449615560057-YRL2L6B4U6KUAFMBRAWU/20151204_nike_acg_0011868.jpg</image:loc>
      <image:title>Commissions</image:title>
      <image:caption>Balls to the Wall, 2015 Site specific installation commissioned for Nike Lab, New York.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5500e22be4b0890b5cec8463/1427233929994-NAN9LIYLWAHRGK8W6VFO/Laguna-2-lr.jpg</image:loc>
      <image:title>Commissions - Sea Change</image:title>
      <image:caption>Laguna Museum of Art, Laguna Beach, CA, 2013</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5500e22be4b0890b5cec8463/1427234831276-G4G3YV80JS62FGALYFY5/OSpa-5.JPG</image:loc>
      <image:title>Commissions</image:title>
      <image:caption>O-Spa, Los Angeles, CA, 2013</image:caption>
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      <image:title>Commissions - Inaugural Gala Festivities Designs</image:title>
      <image:caption>La Plaza de Cultura y Artes, Los Angeles, CA, 2012</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5500e22be4b0890b5cec8463/1591210971326-4J2G8NF7PHP1WE6IWPGC/ACE_FINAL_SELECT-10.jpg</image:loc>
      <image:title>Commissions</image:title>
      <image:caption>Installed at ACE Hotel Chicago, 2017 For the hostess stand weaving, Tanya worked with Porfirio Gutierrez, Zapotec textile artist who specializes in the weaving and natural dye traditions of Teotitlan del Valle, Oaxaca.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5500e22be4b0890b5cec8463/1591215598342-E02RQLWIQOONF8WLNV4Z/Aguiniga-Wearstler-KWID.JPG</image:loc>
      <image:title>Commissions</image:title>
      <image:caption>Commissioned in 2016 by Kelly Wearstler for Columbia Square Living. Installed with sculpture by Ben Medansky. Unraveled cotton rope with hand patina brass.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5500e22be4b0890b5cec8463/1591310043560-24MIGO9RA1KIE7ND33M6/image-asset.jpeg</image:loc>
      <image:title>Commissions</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5500e22be4b0890b5cec8463/1591313479142-GIRWCXBQDG8E0JPKMG8S/image-asset.png</image:loc>
      <image:title>Commissions</image:title>
      <image:caption>Commissioned in 2017 by Lindsey Adelman for their LA studio. Unraveled cotton rope</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5500e22be4b0890b5cec8463/1591314342814-01BJTG28G3WWYWCYGF4B/image-asset.jpeg</image:loc>
      <image:title>Commissions</image:title>
      <image:caption>Commissioned in 2016 by Brendan Ravenhill for ICFF. Unraveled cotton rope</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5500e22be4b0890b5cec8463/1591640908490-DUZAR6H80GSQN3729U3A/0D3A1998.jpg</image:loc>
      <image:title>Commissions</image:title>
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      <image:title>Commissions</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5500e22be4b0890b5cec8463/1591385478843-SN8GP5I4DALKMPP27XZC/BR_aguiniga1.jpeg</image:loc>
      <image:title>Commissions</image:title>
      <image:caption>Felted Eames shell armchair commissioned by Brendan Ravenhill Los Angeles, 2018</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5500e22be4b0890b5cec8463/1541189030627-ZRSVEL8BVE6MESD0WL4W/TanyaAguiniga-JonathanLouis-01-0031.jpg</image:loc>
      <image:title>Commissions</image:title>
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      <image:title>Commissions</image:title>
      <image:caption>Argyle Hotel Hand-dyed cotton Los Angeles, 2016</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5500e22be4b0890b5cec8463/1591210000560-VPPVH3U2MDC58JN4H34C/ArcoirisFronterizo-1.JPG</image:loc>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5500e22be4b0890b5cec8463/1591809533240-4IM3IO4PM0SS4BV1DA08/image-asset.png</image:loc>
      <image:title>Commissions</image:title>
      <image:caption>Felt chairs commissioned by Oliver M. Furth Photo: Roger Davies Photography Los Angeles, 2015</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5500e22be4b0890b5cec8463/1591653558060-I1WZPOYPWFKR6KCJG1U3/image-asset.png</image:loc>
      <image:title>Commissions</image:title>
      <image:caption>Kelp Forest, 2016 Plated Metal, Hand-Woven Wool, Hand-Woven Jute, Hand-Woven Silk, Blackened Fir, Mirror. 36 x 60 x 18 inches</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5500e22be4b0890b5cec8463/1591732919804-37CF5Y9HRX8OW0GEKC42/aguiniga_Mickey.jpeg</image:loc>
      <image:title>Commissions</image:title>
      <image:caption>Steel, velvet plush, felt, garment straps 72 x 60 inches New York, 2018</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5500e22be4b0890b5cec8463/1591639695708-ETDAV86ZB9YMQZOLVGSY/2017_centurycity_nordstrom1.JPG</image:loc>
      <image:title>Commissions</image:title>
      <image:caption>Nordstrom Century City, Los Angeles, 2017</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5500e22be4b0890b5cec8463/1591382537568-K0RPDSPQV6PXU7014YFO/image-asset.jpeg</image:loc>
      <image:title>Commissions</image:title>
      <image:caption>Beverly Center, Los Angeles, 2018 Suede, copper, vinyl</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5500e22be4b0890b5cec8463/1591820800523-UU8SAO5J7LQLUSMSMVZU/image-asset.jpeg</image:loc>
      <image:title>Commissions</image:title>
      <image:caption>Sloth Vintage linen and wool weave, industrial felt</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5500e22be4b0890b5cec8463/1591824260491-OIZL290MCGS5NFOMZBK8/mashup_aguiniga.jpg</image:loc>
      <image:title>Commissions</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5500e22be4b0890b5cec8463/1587594563410-KCSQI3U7PPEBFZKEC25A/NCM+-+tikitiko+1.jpg</image:loc>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5500e22be4b0890b5cec8463/1663694318040-DPTVZNEUMRWQ3J8VCW4I/Caymus_Suisun_TheBureau_03.jpg</image:loc>
      <image:title>Commissions</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5500e22be4b0890b5cec8463/1427233328688-N3YYQXMWI75ZAARRJHMA/TA-Kasthall.jpg</image:loc>
      <image:title>Commissions - Shag Curves</image:title>
      <image:caption>Kasthall Showroom, New York, NY, 2013</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5500e22be4b0890b5cec8463/1427154467870-R70O3IWWRZJ106L7RREG/blanketcrop.jpg</image:loc>
      <image:title>Commissions</image:title>
      <image:caption>ACE Hotel, Los Angeles, CA, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5500e22be4b0890b5cec8463/1427154834473-CHKJBME83L0R3G350MJF/Aguiniga_PanamaATH.jpg</image:loc>
      <image:title>Commissions</image:title>
      <image:caption>American Trade Hotel, Panama, 2013</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5500e22be4b0890b5cec8463/1427243278575-R4I858FV0YYB7EAX0DUX/forest_wide_view_120.jpg</image:loc>
      <image:title>Commissions - Texture Forest</image:title>
      <image:caption>The New Children's Museum, San Diego, CA, 2008</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5500e22be4b0890b5cec8463/1427153985839-1ON9G4UQUOQTO5S9XNMT/Aguiniga_LACMA_Eames.jpg</image:loc>
      <image:title>Commissions</image:title>
      <image:caption>Chair for Ray, 2014 Felted raw wool on Eames Wire Chair Collection of Los Angeles County Museum of Art (LACMA) Gift of Margaret and Joel Chen</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5500e22be4b0890b5cec8463/1452293602156-QMU7IZSCWP4207KVVCGM/Redbird-side2.JPG</image:loc>
      <image:title>Commissions</image:title>
      <image:caption>Cotton rope and twine wall hanging commissioned for Redbird, Los Angeles, 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5500e22be4b0890b5cec8463/1452294276238-LQLN550M89V5Z2EP2EA3/JFC.JPG</image:loc>
      <image:title>Commissions</image:title>
      <image:caption>Untitled (JFC), 2015 16' w x 30' h, double-sided Hand-dyed rope, canvas, wool, sisal and jute Commissioned by Joel and Margaret Chen for JF Chen Gallery.  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5500e22be4b0890b5cec8463/1452297963288-62EZZ6V199Z29OHTW70Y/KaraMann-Tip11.jpg</image:loc>
      <image:title>Commissions</image:title>
      <image:caption>Commissioned for Gwyneth Paltrow's GOOP Pop-Up. Waldorf Astoria, Chicago. April 25 - May 10, 2015. For information on more pieces like this please contact Volume Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.tanyaaguiniga.com/videos-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-06</lastmod>
    <image:image>
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      <image:title>VIDEOS - Tanya Aguiniga and AMBOS Project: Border Quipu/Quipu Fronterizo</image:title>
      <image:caption>Including the largest land border crossing in the world, the US/Mexico border can be seen by some as the perimeter of Latin America, the edge of Mexico, Central and South America. The point at which 300,000 of our identities and histories are checked every day. Expanding on this notion using a quipu, the Andean Pre-Columbian organizational system of recording history, as a framework to record the daily migrations to the north, Tanya Aguiñiga initiated Quipu Fronterizo/Border Quipu for her segment of AMBOS. Quipu Fronterizo/Border Quipu engages US/Mexico border commuters on both sides of the border by asking about their experiences and asking them to anonymously tie a knot. The AMBOS team walks among the cars in traffic, pedestrians waiting in line, and surrounding areas of the crossing asking for participation in an art project that focuses on the lives of those who cross the border and/or live in the borderlands. Postcards that read “¿Qué piensas cuando cruzas esta frontera? / What are your thoughts when you cross this border?” are passed out with pencils for participants to record their thoughts in the space provided. All of those who work or live along the border are invited to participate, and asked what they think if they can cross the border, and if not, their opinions on living there. On the opposite side of the postcard, there is a explanation of the exercise for the quipu that we create with the help of participants. Commuters are given two strands of thread and asked to tie them into a knot reflecting their time and emotions spent crossing. The strands represent the US and Mexico’s relationship to one another, our self at either sides of the border, and our own mental state at the point of crossing. Each knot is collected from commuters and tied to other knots made on the same day. The cumulative series of daily bundled knots is organized into a large-scale quipu and, for the first series of AMBOS in 2016, was displayed on a billboard above the AMBOS storefront hub in view of traffic waiting to cross the border. Quipu Fronterizo/Border Quipu seeks to materialize our connection to one another as a community and make our presence and experiences visible to bi-national audiences. Currently, the quipu includes 8 columns of knots collected initially at the San Ysidro border crossing in Tijuana. The next five columns were collected and added during the AMBOS road trip in September of 2017, when the AMBOS team travelled to every border crossing from Arizona to the western border of Texas, totalling 18 crossings visited. The Quipu Fronterizo/Border Quipu will be completed in 2018, after the final road trip when the AMBOS team will have visited all the crossings remaining in California and Texas. By bringing Quipu Fronterizo/Border Quipu to all of these crossings, Tanya Aguiñiga, alongside the AMBOS team, will have completed the first exhaustive survey of collective emotion along the US/Mexico border.</image:caption>
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      <image:title>VIDEOS - Tanya Aguiniga and AMBOS Project: Border Quipu/Quipu Fronterizo</image:title>
      <image:caption>Including the largest land border crossing in the world, the US/Mexico border can be seen by some as the perimeter of Latin America, the edge of Mexico, Central and South America. The point at which 300,000 of our identities and histories are checked every day. Expanding on this notion using a quipu, the Andean Pre-Columbian organizational system of recording history, as a framework to record the daily migrations to the north, Tanya Aguiñiga initiated Quipu Fronterizo/Border Quipu for her segment of AMBOS. Quipu Fronterizo/Border Quipu engages US/Mexico border commuters on both sides of the border by asking about their experiences and asking them to anonymously tie a knot. The AMBOS team walks among the cars in traffic, pedestrians waiting in line, and surrounding areas of the crossing asking for participation in an art project that focuses on the lives of those who cross the border and/or live in the borderlands. Postcards that read “¿Qué piensas cuando cruzas esta frontera? / What are your thoughts when you cross this border?” are passed out with pencils for participants to record their thoughts in the space provided. All of those who work or live along the border are invited to participate, and asked what they think if they can cross the border, and if not, their opinions on living there. On the opposite side of the postcard, there is a explanation of the exercise for the quipu that we create with the help of participants. Commuters are given two strands of thread and asked to tie them into a knot reflecting their time and emotions spent crossing. The strands represent the US and Mexico’s relationship to one another, our self at either sides of the border, and our own mental state at the point of crossing. Each knot is collected from commuters and tied to other knots made on the same day. The cumulative series of daily bundled knots is organized into a large-scale quipu and, for the first series of AMBOS in 2016, was displayed on a billboard above the AMBOS storefront hub in view of traffic waiting to cross the border. Quipu Fronterizo/Border Quipu seeks to materialize our connection to one another as a community and make our presence and experiences visible to bi-national audiences. Currently, the quipu includes 8 columns of knots collected initially at the San Ysidro border crossing in Tijuana. The next five columns were collected and added during the AMBOS road trip in September of 2017, when the AMBOS team travelled to every border crossing from Arizona to the western border of Texas, totalling 18 crossings visited. The Quipu Fronterizo/Border Quipu will be completed in 2018, after the final road trip when the AMBOS team will have visited all the crossings remaining in California and Texas. By bringing Quipu Fronterizo/Border Quipu to all of these crossings, Tanya Aguiñiga, alongside the AMBOS team, will have completed the first exhaustive survey of collective emotion along the US/Mexico border.</image:caption>
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      <image:title>VIDEOS - Tanya Aguiñiga and AMBOS Project: LÍNEA PAK</image:title>
      <image:caption>Línea Pak A project by Tanya Aguiñiga in collaboration with AMBOS as part of the 2021 program, Intergalactix: against isolation/contra el aislamiento. On November 13, Tanya Aguiñiga and the AMBOS project distributed 500 emergency “Línea Pak” kits along the San Ysidro Gate, within the US/Mexico Border. Línea Pak is an emergency kit that contains a portable unisex urinal, saladitos (salty plums eaten to stay hydrated), granola bars, water, electrolytes, and a petition to the US government. The waiting time to cross into the United States from Tijuana, Mexico averages between 4 and 8 hours, which only worsened during the pandemic as border officials closed lanes “to control” COVID-19. Línea Pak, is a response to the violence created by these racist systems in place that dehumanize people through long processes of surveillance, inspection, approval, systematization, profiling, and data collection implemented by the US Border Patrol. Línea Pak, recuperates a relationship based on mutual aid by providing basic needs to border-crossing communities. Línea Pak Un proyecto de Tanya Aguiñiga en colaboración con AMBOS para Intergalactix: against isolation/contra el aislamiento ¡Ya puedes ver el vídeo del proyecto de Tanya Aguiñiga, Línea Pak! Unete a la causa, firma la petición para crear una fila para ancianxs y discapacitadxs que cruzan la frontera EU/Mexico, aquí. El 13 de noviembre, Tanya Aguiñiga y AMBOS project distribuyeron 500 paquetes de emergencia llamados “Línea Pak” en el garita de San Ysidro de la frontera EUA/México. Línea PAK es un kit de primeros auxillos que contiene un urinario portátil unisex, saladitos, barras de granola, agua y una petición al gobierno Estadounidense. La fila de espera para cruzar a los EUA desde Tijuana, México, tiene un promedio de 4 a 8 horas, el cual empeoró durante la pandemia cuando los agentes fronterizos cerrarán carriles “para controlar” COVID-19. Línea Pak es una respuesta a la violencia creada por estos sistemas racistas vigentes que deshumanizan a las personas a través de largos procesos de vigilancia, inspección, aprobación, sistematización, elaboración de perfiles y procedimientos de recolección de datos implementados por la patrulla fronteriza estadounidense. Línea Pak recupera una relación basada en la ayuda mutua proveyendo de necesidades básicas a las comunidades que cruzan la frontera. Photo by/Fotografïa de Gina Clyne</image:caption>
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      <image:title>VIDEOS - Tanya Aguiniga and AMBOS Project: Armory Performance</image:title>
      <image:caption>Drawing from the lived experience of the US/Mexico border, Tanya Aguiñiga has developed an experimental approach to craft, using fiber, ceramics, hand-blown glass, and traditional techniques to generate conversations about and across political and cultural divides. Given the ongoing persecution of migrants along the border, and amid an increasingly polarized political climate, Aguiñiga’s upcoming exhibition at the Armory highlights her long-standing commitment to thoughtful and urgent dialogue on immigration politics, transnational identity, and community activism. Along with the Los Angeles debut of some of the artist’s most iconic works, including the binational border-epic AMBOS, this exhibition will also feature a site-specific commission that repurposes the walls of the Armory as an artist-activated loom.</image:caption>
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      <image:title>VIDEOS - Tanya Aguiñiga in "Borderlands" - Extended Segment | Art21</image:title>
      <image:caption>Art21 proudly presents this special extended segment as a complement to the "Borderlands" episode from the tenth season of the "Art in the Twenty-First Century" series. 2021</image:caption>
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      <image:title>VIDEOS - tikitiko at The New Children's Museum</image:title>
      <image:caption>The New Children's Museum, San Diego, CA, 2019 Inspired by care and empathy tikitiko is designed for toddlers and caregivers to make meaningful connections around abstract, anthropomorphic forms covered in colorful, soft and furry textiles. This space for the littlest Museum visitors will also feature rotating hands-on learning experiences to nurture lifelong developmental skills and family bonding.</image:caption>
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      <image:title>VIDEOS - Meet the Artist: Tanya Aguiñiga on her work in "Disrupting Craft: Renwick Invitational 2018"</image:title>
      <image:caption>Smithsonian American Art Museum: Tanya discusses her work in the exhibition "Disrupting Craft: Renwick Invitational 2018," and how craft can be used to help speak out against oppressive cultures.</image:caption>
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      <image:title>VIDEOS - S9 E7: Artist and Mother</image:title>
      <image:caption>This episode of Artbound profiles four California artists who make motherhood a part of their art: Kenyatta A.C. Hinkle, Andrea Chung, Rebecca Campbell and Tanya Aguiñiga. There's a persisting assumption in contemporary art circles that you can't be a good artist and good mother both. But these artists are working to shatter this cliché, juggling demands of career and family and finding inspiring ways to explore the maternal in their art.</image:caption>
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      <image:title>VIDEOS - Tanya Aguiñiga presents "Casa de Cambio/House of Change" at the 2016 Creative Capital Retreat</image:title>
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      <image:title>VIDEOS - "Casa de Cambio/House of Change" at the 2016 Creative Capital Retreat</image:title>
      <image:caption>As a 2016 Creative Capital Awardee Tanya presented her project, AMBOS, at the Creative Capital Artist Retreat in New York.</image:caption>
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      <image:title>VIDEOS - Sculptor &amp; fiber artist Tanya Aguiñiga, CROSSROADS episode</image:title>
      <image:caption>In 2012 the PBS series, Craft in America: episode IX: Crossroads, highlighted Tanya when exploring the intersections of craft, culture, and technology. Featured artists include Tanya Aguiñiga, Lia Cook, Clary Illian, Warren MacKenzie, and Jeff Oestreich. See the full episode here.</image:caption>
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      <image:title>VIDEOS - Performance Crafting: Tanya Aguiñiga</image:title>
      <image:caption>For her "Performance Crafting: Felt Me" collaboration with Artbound in 2012, Tanya traded places with her objects, and invited a group of workers to cover her from head-to-toe in felt.</image:caption>
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      <image:title>VIDEOS - Cotton Makers -- Tanya Aguiñiga</image:title>
      <image:caption>As part of their Cotton Makers series, Cotton: The Fabric of Our Lives®, visited Tanya's studio in 2014 to see her amazing creations using cotton.</image:caption>
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      <image:title>VIDEOS - THE ART OF GEOMETRY 2014 TRAILER</image:title>
      <image:caption>MashUp Contemporary Dance Company presents The Art of Geometry (2014) featuring installations by Tanya Aguiñiga.</image:caption>
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      <image:title>VIDEOS - Transforming the Everyday: An HOLA Public Art Project with Tanya Aguiñiga</image:title>
      <image:caption>"Transforming the Everyday: Public Art with Repurposed Items" is the culmination of an six week residency by Tanya Aguiñiga at HOLA in 2013. Tanya worked with the students to create four site-specific installations that activated the classrooms in HOLA’s facilities and the surrounding Los Angeles community.</image:caption>
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      <image:title>VIDEOS - Tanya Aguiniga for Home for Good and 100,000 Homes Campaign</image:title>
      <image:caption>Tanya Aguiñiga presents her solution for Home for Good and 100,000 Homes Campaign at the GOOD Design LA event April 6, 2011.</image:caption>
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      <image:title>VIDEOS - Tanya Aguiñiga Lecture</image:title>
      <image:caption>As part of their Lecture Series in 2010, Tanya spoke about her practice at California College of the Arts Design and Craft.</image:caption>
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      <image:title>VIDEOS - Tanya Aguiñiga - Los Angeles/Tijuana Art</image:title>
      <image:caption>In 2008 United States Artists visited Tanya's studio.</image:caption>
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      <image:title>VIDEOS</image:title>
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